Wednesday , November 4, 2009

Love: Envelop

This is one of those sites that makes me rue the fact that I don't live in Europe! Belgium-based Envelop takes artist- and member-created graphics and patterns and applies them to all sorts of sundry articles: aprons, place mats, tote bags, basically anything that is a textile. Normally, you'd get a bunch of "I'M WITH STUPID" logos plastered on coffee mugs, but not with Envelop -- they vet their patterns, so everything has a certain level of visual quality. I have to say, the results are pretty stunning, especially if you have a strange fixation with really cool aprons like me. The site's fairly new so the selection may not be super-extensive (yet), and I'm waiting anxiously for someone to design a really cool duvet. But the site's relative youth (they're still in beta) just means there's more room for all you artist, illustrator and graphic designer types out there to become a member and submit your work. I'm only sad that I have only dollars and not euros, but they do ship worldwide. Still, if only I could live in Europe...

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Tuesday , July 21, 2009

Yo, Toronto! Go See Sonja Ahlers' Installation at Magic Pony!

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L TO R: Walruses! I love walruses!; Cool paper house things made out of Sweet Valley High books, The Female Eunuch, and Watership Down; Mountains! Mount Everest! I love Mount Everest!

Toronto-based artist/genius/all-around-awesome human being Sonja Elizabeth Ahlers has been one of my dream best friends (second only to Keith Moon!) since I was a wee bairn on a school-bus to the Stratford Festival, back in '01. I'd picked up one of Sonja's gorgeous, hand-sewn zines at Canzine, and it was the COOLEST THING IN THE WORLD. I sat alone, poring over it, listening to Dig Me Out by Sleater-Kinney and fantasizing about how awesome it would be to, like, not be sixteen.

Right now, Sonja has a crazy immensely gorgeous installation up at Magic Pony (694 Queen Street West, @ Manning), one of those stores that I am usually not allowed to go into because it makes me want to blow all my non-money on Japanese toys shaped like smiling squares of tofu and etc. I checked out Sonja's lovely window display, called "Skid," with my Mom, who thought it ruled. Even Moms love Sonja Ahlers!

PS: In addition to being crazy immensely talented, Sonja Ahlers is one of the most crazy immensely sweet and positive people I've ever met in my life. Also, Sonja made me Wrangler! Here is a picture of me and Wrangler. I am kissing Wrangler, but it kind of looks like I am eating Wrangler. But I'm not! I would never eat Wrangler!

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Tuesday , February 24, 2009

Something Awesome You Wish You'd Thought Of: Facebook Status Updates in Cartoon Form!

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Dudes, I'm squealing with joy at having been included in "Everyone We Know: Portraits of Facebook Status Updates," Marissa Falco's contribution to The Sketchbook Project. Marissa made brilliantly daffy cartoons out of status updates from 32 of her friends, including me and our very own Meggy Wang, plus nogoodforme buddy-pals like Thara Harris, Amanda Wheeler, Teri V., Laura Fisher, and Anke Weckmann. Apparently the Sketchbook Project's going on tour very soon (like, this week), so if you live in Atlanta, D.C., Philly, Boston, St. Louis, or Brooklyn, definitely check out the homepage for info - and lemme know if you'd be interested in having me fashion a cardboard likeness of myself for you to take along to the show and fulfill Marissa's wish of getting photos of all her subjects flanked by their cartoons.

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P.S. My update references a lyric from "The Mummy" by Benji Hughes, whom I love mostly because Emily Richmond told me I had to (and also because he makes really great songs). Listen now! Listen forever!

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Wednesday , February 4, 2009

Random Picture Entry: The Art of Alice Neel

Lately I have been way into the artwork of Alice Neel, not only as fashion inspiration but as inspiration in general. Neel had a crazy life, full of lots of intense, volatile marriages, political activism, a nervous breakdown, and of course some stunning art-making: her portraiture -- of everyone from neighbors to lovers to celebrities -- is arresting, focused, psychologically acute and unsparing in its honesty. She kept to her style no matter what was happening in the art world, and she made art for a long, long time until her death in 1984.

Every detail in her paintings served to amplify her sense of who the sitter was, and when I look at her work, I'm amazed at how much interiority -- and how much sociopolitical detail -- she is able to evoke with such small details. Even though clothes are not the "point" of her work, I do love the way they amplify character in her paintings, and it would be fascinating for a fashion historian to look at the clothes of each subject in her paintings in context of interpreting the work. I like the severe lines of the shift dress in Priscilla Johnson -- they speak to the subject's aspirational sense of womanhood, but there's a look in her eye that is kinda proto-riot grrrl:

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And I love this youthful quirkiness of the green tights and black-and-white dress next to the super-serious faces of Swedish Girls -- for some reason, this feels very Northern European to me, this juxtaposition of pattern and color against a seemingly innate melancholy:

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Thursday , January 15, 2009

To Go: Nick Cave (Not THAT Nick Cave) at Jack Shainman Gallery, NYC

Sorry dudes, it's not the epically Goth, lanky Australian Nick Cave that we all know and love. This particular Nick Cave is an artist and professor in Chicago, and he makes pretty astonishing art, which you can catch RIGHT THIS MINUTE at Jack Shainman Gallery in Nueva York. Anyone with an interest in textiles, crafts, dance and even African/Caribbean art would find Cave's work fascinating: he makes what he calls "soundsuits" out of basically anything that can be sewn onto something: plants, twigs, tchotchkes, fabrics, sequins, bric-brac, etc. They're worn as costumes for his modern dance performances, but seeing them in person, they work on you as sculpture -- the scale of them (BIG) makes them fascinating and even a bit fearsome. (To paraphrase my friend Megan at the opening, things without faces are a little freaky, no?) I was at the opening and didn't stay long enough to take a look at them closely, but I returned a few days later and was super-impressed with their detail, their craftsmanship and their sense of color and texture. I also have the urge to break into the gallery to glue giant googly-eyes onto them, but that's just me. Anyway, if you can brave the cold snap in NYC, I highly recommend checking it out.

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Here's a video of Nick Cave talking about his work -- plus you can see the soundsuits in motion, which is pretty dope (PLUS you can see the adorable Thelma Golden, chief curator of the AWESOME Studio Museum of Harlem):

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Tuesday , November 11, 2008

Random Picture Entry: Louise Bourgeois

Louise Bourgeois is my hero for a lot of reasons. There's her work as an artist -- a highly varied milieu of sculpture, drawing, installation and painting that is surreal, mischievous, audacious, personal and oddly secretive in its form and content. There's the fact that she's been making art for so long -- she had her first exhibition in 1947 and worked in relative obscurity through the 50s and 60s until achieving mainstream success in the 1970s. And at age 96, she's still making work, some of which was recently shown at her full-career retrospective at the Guggenheim here in New York this fall. (If still making interesting work as a nonagenarian isn't awesome and awe-inspiring, I have no idea what is.)

It was great seeing her monumental sculpture work as part of the Guggenheim exhibition -- she was one of the few female sculptors working in such 'dude' materials as bronze and marble for awhile, using them to render these strangely sexy biomorphic forms -- but I never fully appreciated her connection to textiles till the Guggenheim exhibition. She grew up in a family of tapestry makers, and because her work is so much about personal memory, clothes play a prominent role in a lot of her installation work. (She's also returned to working with fabric in her latest creations as a result of her advanced years -- she made the best lil' baby spider sculpture out of tapestry fabrics!) I've been really intrigued and inspired by these vintage clothes -- careworn muslims, touches of handmade lace, a very 1940s sense of delicacy and propriety. It's both sober, yet very beautiful in its simplicity -- the same of which can be said about pictures of the young Bourgeois herself. Check my newest fashion inspiration:

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Saturday , October 11, 2008

To Go: "Beautifully Worn" Fashion Photo Show, Opening Reception Oct. 15, 2008

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The rock keeps on rolling at nogoodforme.com. No sooner than we recovered from the bliztkrieg of fun known as Spirit Animal House than we got on the proverbial ball to curate and organize our very first art show! We are super-stoked and very proud to announce that BEAUTIFULLY WORN is going up next Wednesday, October 15th, 2008 at NYC boutique Clarabella. And we graciously invite all of you lovely people to come to the opening reception that very same day from 6-9pm, where there will be refreshments and two of the nogoodforme troika in attendance! We are truly amped to show you all the photos we collected from various good souls who sent in images and words responding to our question "What do you love to wear?" The results will charm the pants off of you, we guarantee it. If you can't make the opening, the show will continue to grace Clarabella's walls until November 30, when we take down the photos and the apocalypse comes. Or something like that.


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Monday , September 22, 2008

Love, Love, Love: Gunta Stolzl Tapestries/The Textile Blog

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Dude! I have been waiting impatiently for good-quality images of Gunta Stolzl's tapestries to make their way onto the Internet since I first found out she existed, which occurred at approximately 9:30 in the morning sometime during the spring of 2005. I remember this because it happened when I took a Feminist Art & Design elective at Parsons School of Design, and you, or I, can never forget which classes began at 9 AM- so many memories! Running out the door in pyjamas and unbrushed teeth; sleeping through Powerpoint presentations; waking up at dawn to finish term papers; etc. FA&D was one of maybe four classes I took over the course of my entire career as a Parsons student that wasn't completely corrupt Normie white-kkkollar garbage. Whoopsie daisies! WHY DID I NOT MAJOR IN BURNING DOWN CHURCHES??

In addition to being a Bavarian-born Pisces, Gunta Stolzl was most notably the Bauhaus' weaving master. Something I learned a lot about in Feminist Art & Design is how the Bauhaus was totally fuckedly sexist for pretty much forcing its female students to be weaving/textiles majors. Obviously yes, I grasp why this was messed-up, but seriously? The girls won in the end. Gunta Stolzl was ten trillion times the genius that dumbass Walter "I Heart the Patriarchy" Gropius was, I mean, wasn't.

The textiles seen above were created between the years 1926 and 1927, and are uncannily proto-psychedelic! Gunta Stolzl should have designed record covers for the Great! Society (or maybe Blood is the New Black t-shirts HA HA HA). I really wish I could resurrect Gunta Stolzl and make her design my entire life (right down to the toothbrushes!); I also wish that little girls were encouraged to decorate their seven-year-old bedrooms in fabrics and fibers that look like those pictured above as opposed to polyester Unicorn Fairy Barbie bedspreads and Bratz-brand plastic makeup mirrors. Oh, well. If I don't let these things go, they will destroy me.

It is very important to note that these images were grabbed from The Textile Blog, my third-favorite blog on the entire Internet after nogoodforme.com and Emily's Tumblr. It is one of the most intelligent, informative and (SCORE!!!) frequently-updated blogs around this town (this town= the entire Internet); I personally check it so much that I often get paranoid that the dude who runs it checks out his sitetracker and thinks, "This girl from Toronto should probably expand her blogospheric horizons instead of consistently checking mine fifty times daily." It is also thanks to The Textile Blog that my UFC Updates look so fly every week. Almost every single background image is ripped from The Textile Blog.

PS: The Textile Blog has an even more comprehensive Flickr page which is like the Dylan's Candy Bar of textiles.

PPS: One last thing on the Gunta Stolzl tip: she was Anni Albers' mentor. Anni Albers is my favorite person of all time who wasn't in the Beatles: SEE?????

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Saturday , September 20, 2008

Don't Forget: Submit to Our "Beautifully Worn" Photo Show

Beautiful procrastinators, don't forget to submit to our photo show, "Beautifully Worn," which will be on show at Clarabella later this fall! We've gotten totally great submissions so far, ranging from band t-shirts to couture dresses to everything in between and from all over the world. We've gotten simple snapshots to beautifully art-directed photo shoots. The diversity and all the little stories have been remarkable -- and yes, we want more! So please do submit, and if you can't make the date, please let us know you're interested so we can keep an eye out for you.

More info: http://www.nogoodforme.com/artshow


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Sunday , September 7, 2008

Love: Sarah Wilmer & Felix-Gabriel Smith & Sarajo Frieden

I'm not sure if you've noticed or not, but guess what? On September 9th, nogoodforme.com is hosting a party called Spirit Animal House. Over the course of the past week of my life, I have had precisely one non-Spirit Animal House-related thought- it was, "I wonder if it's true that sometimes Venus Williams purposely loses tennis matches to Serena because of weird psychological sibling business." But besides that time I thought that about the Williams sisters, nope, sorry: in the wild world of Inside Laura Jane's Head, it's Spirit Animal House or nothin'.

Luckily for me, SPIRIT ANIMAL HOUSE is the coolest thing that ever happened in the history of time, and there is heaps and tons and dollops and bounds and miles (and etc.) of awesome stuff to think about. One thing I used to think about in my pre-Spirit Animal House existence was art. In my new life, I think about art as it relates to Spirit Animal House. Which is highly preferable to no art at all!

All you awesome people (to whom I owe my firstborn child) who will be attending The Actual Event have a shot at winning what I like to call The nogoodforme.com Ready-made Art collection. If you're anything like me at all, you aspire to one day actually own real art. If you're anything like me at all, you are too broke to afford even a piece of the crappy Mom-style art they sell at suburban non-art galleries. You know, watercolors of cottages and things like that. If you're anything like me at all, you are attending Spirit Animal House and will be purchasing several raffle tickets, which cost less than the price of ONE DRINK. And, if you're anything like me at all, you are presently hoping to high heaven that your raffle ticket may pay off into winning some cheap, brilliant, hot CONTEMPORARY ART.

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At left, you will see an absolutely gorgeous and appropriately animal-themed photograph taken by Sarah Wilmer, a Brooklyn-based music, fashion and fine art photographer who once took pictures of me dressed up as Claudia Kishi. Sarah's work, though diverse, is tied together by a fantastically spooky, haunted mansion-y aesthetic and a lot of expertly-accessed shadows and darkness.

We are highly stoked that Los Angeles-based illustrator Sarajo Frieden was able to contribute one of her Burning Dresser linopresses (seen at right), which I have coveted for a long, long year (ever since seeing it on the ReForm School website, upon which I Imaginary Shopping Spree thrice-weekly, or maybe septa-weekly). I love this print because it balances scrappiness and elegance with a level of panache I could only dream of. A lot of Sarajo's work looks like textiles, and probably should be, and probably will be.

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Last but not certainly not least is an original contempo-psychedelic (I just made that term up!) illustration (seen above) by Felix-Gabriel Smith, who is totally going places and has some of the best dude style I've ever seen in my life (just so you know). Gabriel's work sort of looks like the cover of Odessey and Oracle by the Zombies collided with Galaga and a meteorologist's e-mail inbox.

And of course, our Internet-only prizes are still available for your acquisitional purposes, and you can do so by clicking the handy-dandy Paypal button below.

Have a lovely Spirit Animal House! Oops, I mean day.

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